Current and future engagements of Italian mezzo Daniela Pini include DORABELLA Cosi fan tutte and NERIS in Cherubini’s Medea Opéra de Nice, OLYMPIA Herculanum Wexford Festival Opera, MEG PAGE Falstaff Bayerische Staatsoper München, MADDALENA Rigoletto Ravenna Festival, ANGELINA La Cenerentola Teatro Regio Torino and GIOVANNA SEYMOUR Anna Bolena Teatro Donizetti Bergamo.
Most recent engagements include ANGELINA La Cenerentola Seattle Opera, Hungarian State Opera and Teatro Lirico di Cagliari, ISABELLA L’Italiana in Algeri and DORABELLA Cosi fan tutte Teatro Regio Torino, DORABELLA New National Theatre Tokyo, ISOLIER Le comte Ory Malmö Opera, ENRICHIETTA I Puritani Lyon and Théâtre des Champs Elysées, Paris, MEG PAGE Falstaff Teatro Regio di Parma, ALCINA Orlando furioso Oper Frankfurt, ROMEO I Capuleti e i Montecchi Teatro Filarmonico di Verona and TOLOMEO Giulio Cesare Opéra de Toulon.
Past career highlights include ANGELINA La Cenerentola Teatro Comunale di Bologna, Trieste, Sassari, and Oper Frankfurt; ROSINA Il Barbiere di Siviglia Filarmonico di Verona and Oper Stuttgart, ROGGIERO Tancredi Trieste, Osaka and Tokyo, BARONESSA ASPASIA La pietra del paragone Teatro Regio Parma, CLARICE La pietra del paragone Teatro Verdi di Sassari, SIEBEL Faust Teatro Regio di Parma, SUZUKI Madama Butterfly Tokyo and Nagoya, MELIBEA Viaggio a Reims Théâtre Royal de la Monnaie Brussels, POLINESSO Ariodante Oper Frankfurt, ISABELLA L’Italiana in Algeri Bologna and Trieste, CHERUBINO Nozze di Figaro Viterbo and Tokyo, MEDORO Orlando Furioso Edinburgh, ANNIO La Clemenza di Tito Teatro Regio di Tornio and PAQUETTE/OLD LADY Candide Carlo Felice di Genoa.
Her repertoire of sacred song includes Pergolesi’s Stabat Mater and Salve Regina, Rossini’s Petite Messe Solennelle and Stabat Mater, Mozart’s Requiem and Beethoven’s Missa solemnis, Händel’s Messiah, and Vivaldi’s Stabat Mater and Gloria.
Daniela has worked with conductors and directors such as Roberto Abbado, Daniel Oren, Evelyn Pidò, Claudio Scimone, Paolo Carignani, Graham Vick, Dario Fo, Lina Wertmuller, Pier Luigi Pizzi, David McVicar, Luca Ronconi, and Hugo De Ana.
Daniela graduated in History of Music at the University of Bologna, and studied singing with Maestro Angelo Bertacchi in Modena.
Massimiliano Becco Gagliardo
Mobile: +44 7780 006203
Email: max@atholestill.co.uk
Representation: Worldwide
News | Daniela Pini
News | Daniela Pini, Gianluigi Gelmetti
"The Italian mezzo-soprano Daniela Pini, making her U.S. debut in the title role, is astonishingly good: her voice is rich, full, and remarkably agile and accurate throughout the role’s considerable range. Her appealing stage presence and affecting acting add to the impressive vocal goods."
The Seattle Times
"Ms. Pini is a totally delightful Cenerentola, both to look at and to listen to. The voice is both lustrous in tone and sufficiently strong, and the technique Pini produces it with is fully Bartoli-esque in clarity and precision: every note in the countless scale passages Rossini gave her to sing was cleanly separated from its neighbors, while at the same time forming part of a beautifully smooth overall legato."
Seen and Heard International
"Mirabile Daniela Pini, Cenerentola elegante nel canto e nelle fioriture come nella figura."
Rivista Opera
