Henry Neill’s current and future engagements include SAM Trouble in Tahiti/JUNIOR A Quiet Place Royal Opera House, Covent Garden (Linbury Theatre), GUGLIELMO Cosi fan tutte Opera North, SAMUEL The Pirates of Penzance English National Opera and LANDSKNECHT 2 Schwanda der Dudelsackpfeifer Theater an der Wien.
Most recent projects include LESCAUT Manon and COUNT Le Nozze di Figaro Theater Aachen, PAPAGENO Opera på Skäret in Sweden, Eötvös’ The Golden Dragon Theater Fribourg, FIORELLO Il barbiere di Siviglia Opéra National de Lorraine, NED KEENE cover Peter Grimes Royal Opera House, Covent Garden, as well as a position at Deutsches Nationaltheater Weimar, where roles included PAPAGENO Die Zauberflöte, FIGARO and COUNT Le nozze di Figaro, GUGLIELMO Cosi fan tutte, MASETTO Don Giovanni, SILVANO Un Ballo in Maschera, ANGELOTTI Tosca and FREDDY My Fair Lady.
Past guest engagements were SCHAUNARD La bohème Opera North, EDMUND BERTRAM in Jonathan Dove’s Mansfield Park The Grange Festival, NOAH Russell Hepplewhite’s Silver Electra English Touring Opera, Spontini’s Agnes Von Hohenstaufen Theater Erfurt, COUNT Le Nozze di Figaro at Hackney Empire conducted by Jane Glover, FRIQUET Offenbach’s Vert-Vert Garsington Opera (David Parry) and recitals with pianist Somi Kim Wigmore Hall and International Holland Music Festival.
Notable concert performances include Ralph Vaughan Williams’ Serenade to Music Birmingham Symphony Orchestra, appearances on BBC Radio 3‘s In Tune, at the Oxford Lieder Festival, the Leeds Lieder Festival and on Dutch Radio 4.
Henry won several singing competitions and graduated from the Royal Academy of Music, where he studied with Mark Wildman, Ingrid Surgenor, Jane Glover and Iain Ledingham.
Emma Ventris
Mobile: + 44 (0) 7780315176
Email: emma@atholestill.co.uk
Representation: Worldwide
News | Henry Neill
News | Henry Neill
"Fabulously charismatic."
Royal Overseas League
"His singing had a grandeur and class of it's own."
Bach Track
"Für den erkrankten (...) verkörperte Henry Neill die Rolle des Grafen Almaviva und überzeugte schauspielerisch und sängerisch auf der ganzen Linie. Ihm gelingt es ganz wunderbar, die unterschiedlichsten Gefühle von Eifersucht, Wut, Zweifel oder auch Beschämung stimmlich zu gestalten. Sein "Contessa, perdono" ertönt wirklich so flehentlich, dass Rosinas Vergebung der moralischen Fehltritte ihres Mannes glaubhaft erscheint."
Der Opernfreund