
Japanese-American mezzo Kelsey Lauritano is currently an ensemble member of Oper Frankfurt with roles including DORABELLA Così fan tutte, CHERUBINO Le Nozze di Figaro, HANNAH The Passenger, SUZUKI Madama Butterfly, PAOLO Francesca da Rimini, LICHAS Hercules, THE FOX The Cunning Little Vixen, and MUSICO Manon Lescaut. Future and most recent guest appearances include Scipione (title role) The English Concert, St Martin in the Fields, COMRADE CHIN/SHU FUNG M.Butterfly La Monnaie, ERIKA Vanessa Heartbeat Opera, New York, MUSICO Oper Zürich and Bayerische Staatsoper München, ORLOWSKY Die Fledermaus Opera Theatre of Saint Louis and New Year’s gala concerts Staatstheater Meiningen.
Previously at Oper Frankfurt Kelsey has sung WIRTSTOCHTER Königskinder, MRS. NOLAN The Medium, Nur wer die Sehnsucht kennt, a staged Tchaikovsky Liederabend by Christof Loy, EMILIA Otello, THIRD WOOD NYMPH Rusalka, ENRICHETTA DI FRANCIA I Puritani, and EINE SPANIERIN Der Ferne Klang. Conductors and directors she has worked with include Sebastian Weigle Laurence Cummings, Marco Armiliato, Jonathan Stockhammer, Barrie Kosky, Damiano Michieletto, R.B. Schlather, Àlex Ollé and Hans Walter Richter.
In concert she sang with Tiroler Festspiele Erl, Bayerisches Rundfunkorchester, Nürnberger Symphoniker, Oregon Symphony, Boston Early Music Festival, New World Symphony, Music Academy of the West, New York Song Festival, and Virginia Arts Festival.
Kelsey studied at The Juilliard School, NY. She is the winner of Music Academy of the West’s Marilyn Horne Song Competition and has received prizes from the Metropolitan Opera National Council, the James Toland Vocal Arts Competition and the Gerda Lissner/Liederkrantz Song Competition. She won the Hal Leonard Musical Theater Competition and was named a 2012 Presidential Scholar in the Arts by Former U.S. President Barack Obama.
Christopher Broom
Phone: +44 208 768 6604
Mobile: +44 7778794397
Email: chris@atholestill.co.uk
Representation: Worldwide
"Kelsey Lauritano also debuts a fabulously profound Cherubino, as expected."
Frankfurter Rundschau
"Young mezzo-soprano Kelsey Lauritano sang her way to tremendous success last night with her youthful fiery sparkling timbre, balmy shaped languor, and stormy emphasis of the young lover."
The Opera Lover
"Kelsey Lauritano, in the trouser role of Paolo, had great subtlety and fantastic diction"
Financial Times
"Special mention also to Kelsey Lauritano, Suzuki of great class, as much by the presence, the bearing, as the vocal copy (superb trio of III with Sharpless and Pinkerton), all imprint force and conviction."
Forum Opera
"Mezzo Kelsey Lauritano was in full control--and fine voice--as the title character, crossing the fine line between mischievous and evil, until coming to her senses at the end"
Broadway World
"Superbe Cherubino de Kelsey Lauritano, cette mezzo, à la voix large, s'affirmant à nouveau comme l'un des éléments les plus prometteurs de la troupe de la maison."
Opera Magazine
"In der Hosenrolle ihres Geliebten zeigt Kelsey Lauritano nach dem fabelhaften Cherubino im Figaro zum Beginn der Spielzeit erneut die ideale Verbindung von burschikosem Spiel und einer attraktiven Mezzostimme."
Der Opernfreund
"(...) und Kelsey Lauritano als Fragoletto singen mit funkelnder Exzellenz, blitzblank, übermütig, absolut sicher."
Frankfurter Allgemeine