British/Australian soprano Lauren Lodge-Campbell’s upcoming engagements include LA MUSIQUE/FILLI in Charpentier’s Les Plaisirs de Versailles/Amor vince ogni cosa Pinchgut Opera, her US debut as FILIA Carissimi Jephte Les Arts Florissants at the Morgan Library in New York, and AMOR L’incoronazione di Poppea The English Concert in Barcelona and Madrid.
Recent engagements include FIRST WITCH Dido and Aeneas, and SERPETTA La finta giardiniera, INDIAN QUEEN Les Arts Florissants EURIDICE in Charpentier’s La descente d’Orphee Vache Baroque Festival, Bach Christmas Oratorio Britten Sinfonia (Stephen Layton), Bach Magnificat Royal Northern Sinfonia (Nicholas McGegan), PRINCESS The Hogboon London Symphony Orchestra (Simon Rattle), CUPID King Arthur Gabrieli Consort, and MINERVA Il ritorno d’Ulisse in patria, Buxtehude’s Membra Jesu Nostri and EUFEMIA in Legrenzi Giustino Pinchgut Opera.
Other important past engagements include, IOLE Hercules Händel-Festspiele Karlsruhe (Lars Ulrik Mortensen), Exsultate Jubilate English Chamber Orchestra, Messiah Saint Denis Festival with La Chapelle Harmonique, AMOR in Gluck’s Paris and Helen Bampton Classical Opera. VENUS Venus and Adonis and AMORE Il ballo delle ingrate Brighton Early Music Festival, and GRETEL Hansel and Gretel Iford Arts.
She sang concerts with the London Handel Orchestra and Southbank Sinfonia, Arcangelo, Dartington International Festival, London Handel Festival, Leicester International Music Festival, London Song Festival, and has performed in venues such as Wigmore Hall, Barbican Hall, Foundling Museum, LSO St Luke’s and the Holywell Music Room, Oxford.
Lauren studied at the Guildhall School of Music and Drama, the Queensland Conservatorium and the Franz Schubert Institut. She won the Susan Longfield Prize, the Franz Schubert Institut Lieder Competition, Cheltenham Bach Choir Competition, the Schubert Society Song Prize. She was in the young artist programme of Les Arts Florissants and is a Samling Artist.
Christopher Broom
Phone: +44 208 768 6604
Mobile: +44 7778794397
Email: chris@atholestill.co.uk
Representation: Worldwide
News | Lauren Lodge-Campbell, Edward Grint
"The strongest impressions on the singers come from Lauren Lodge-Campbell as Iole. The young soprano sings crystal clear, wonderfully even and uses her wonderful timbre and her sophisticated phrasing to serve as a sensitive role portrait"
Die Rheinpfalz
"Lauren Lodge-Campbell is the surprise of the evening. She creates her part in the finest nuances and embodies the daughter filled with sadness and melancholy with vocally feverish brilliance"
Klassik.com
"But one voice stands out: Lauren Lodge-Campbell as Iole with beautifully rendered coloraturas"
SWR2
"In any case, there is a lot of dreamlike music. For example, from the mouth of the Festival debutante Lauren-Lodge Campbell. Her ravishing, luminous, clear Iole alone is worth a visit to Hercules"
SW2
"The Serpetta of Lauren Lodge-Campbell was irresistibly captivating, not only for her impeccable singing, but also for her gestures and movements that gathered all the freshness and vitality that this music has, the work of an 18-year-old composer. No one embodied that spirit better than her"
Ópera Actual
"The spicy and playful Serpetta of Lauren Lodge-Campbell, drinks her mistress's chocolate as Despina does, sings for her lover pretending to hum only for herself, announcing Susanna. An ideal Soubrette, she has a charming face, a delicious lively stage presence and a brilliantly polished vocal tool"
Forum Opéra
"“…Such as the Plorate which allowed Carissimi's Jephte (1648) to go through history: a lament that we would never like to see interrupted and where the heartbreaking soprano of Lauren Lodge Campbell (Jardin des Voix 2019) isolated in a beam of light is detached from a vocal ensemble that we leave with regret"
Res Musica
"It was Lauren Lodge-Campbell who took on the glorious vocal line of the Mozart, her freshness and flexibility
ideal: this was the very spirit of youth and with a lovely sense of agility. Not to mention the remarkably pure
intervals, particularly in the vocal cadenza. She also has the smooth legato for ‘Tu virginum corona’… there is no
doubting Lodge-Campbell’s radiance in this music
"
Seen and Heard International
"One of the stars of the evening was Pinchgut newcomer Lauren Lodge-Campbell (Minerva among other roles), whose purity of tone was a real delight throughout, but who also demonstrated her coloratura chops in ‘Fiamma è l’ira’"
Bachtrack
"Soprano Lauren Lodge-Campbell showed herself especially versatile, inhabiting four roles in total... she demonstrated great beauty of voice and natural sense of line"
Limelight Magazine
"As Eufemia, also twice-rescued, soprano Lauren Lodge-Campbell had a voice of pristine translucence and pale glow as though unhardened by the world. Her duets with Tamagna captured exquisite caressing sensuousness"
Sydney Morning Herald
