Mark Milhofer
Tenor
Mark Milhofer’s current and future projects include TRIQUET Eugene Onegin Palau de les Arts Reina Sofía, Valencia, He who loves Beauty Teatro Real Madrid, AMANZIO in Vivaldi’s Il Giustino and ARBACE Idomeneo Freiburger Barockorchester, St Matthew Passion Netherlands and Rotterdam Philharmonic Orchestras, MELANCOLIA I Grotteschi La Monnaie, The Fairy Queen Savonlinna Opera Festival, GOVERNOR Candide Theater an der Wien, a staged production of Johannes-Passion Opéra de Dijon, APOLLO Orfeo, MORTIMER Lessons in Love and Violence and LENIA Eliogabalo Oper Zürich, ARNALTA L’Incoronazione di Poppea Gran Teatre del Liceu Barcelona, and LINFEA La Calisto Bayerische Staatsoper.
Past engagements were The Fairy Queen Festival Castell de Peralada, FERRANDO Così fan tutte Israeli Opera, EUMETE Il ritorno d’Ulisse in patria Grand Théâtre de Genève, Maggio Musicale and Opera di Firenze, APOLLO Orpheus Royal Danish Opera House, DOKTOR Tri Sestry Oper Frankfurt, Rossi’s Orpheus and EUMAEUS Il ritorno d’Ulisse ROH Covent Garden, The Fairy Queen and THESPIS/MERCURE Platée Staatstheater Stuttgart, ARNALTA L’Incoronazione di Poppea, King Arthur, NICEA in Steffani’s Amor vien dal destino and INTELLETTO/PIACERE Rappresentazione di Anima et di Corpo Staatsoper Berlin.
Mark’s international career has also taken him to Theater Basel, Stadtheater Bern, Theater an der Wien, Oper Graz, Salzburger Landestheater, Daegu Opera Korea, Croatian National Theatre, Presteigne Festival, Opéra de Rennes, Opéra de Nancy, Opéra de Dijon, Perugia Musica, Sagra Musicale Umbra Festival, Teatro San Carlo Napoli, Scottish Opera, Teatro Regio Torino, Teatro Comunale Bologna, Teatro Massimo di Palermo, Teatro La Fenice, Teatro dell’Opera Roma and Teatro Lirico di Cagliari. He sang FERRANDO Così fan tutte in Giorgio Strehler’s renowned production in Beijing and Moscow. In concert, he appeared at the BBC Proms, with B’Rock, The King’s Consort, I Pomeriggi Musicali, Les Talens Lyriques, Orchestra di Santa Cecilia Rome, Orchestre Philharmonique de Monte Carlo, Aldeburgh Festival, Mozartwoche Salzburg, Elbphilharmonie Hamburg, Palau de la Musica Barcelona, Auditorio Nacional, Madrid, De Singel Brussels, Fondazione Toscanini Parma, Concertgebouw, Queen Elizabeth and Wigmore Hall.
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Management
Christopher Broom
Phone: +44 208 768 6604
Mobile: +44 7778794397
Email: chris@atholestill.co.uk
Representation: Worldwide
"Mark Milhofer’s professionalism knows no limits. He lived the role, rather than acting it. The
Madwoman’s timbres are varied and wide and it goes without saying they were always pitch perfect with immaculate diction in his delivery."
Seen and Heard
"Mark Milhofer’s gently reedy tenor and naturally communicative stage presence, however, arguably made Arnalta’s Act 3 scene the highpoint of the evening."
Bachtrack
"The tenor Mark Milhofer was no less impressive in the role of the shepherd Eumete. His use of the voice to characterize the role was wonderful. Every line was crafted with such detail; subtle dynamic inflections, emphases, and colorful accents were applied intelligently to create a living character with real depth."
Operawire
"Mark Milhofer war kurzfristig für den erkrankten Rolando Villazón als Alessandro eingesprungen. Mark Milhofer legt als Alexander der Große einen Herrscher hin, dem man huldigen muss: Machtvoll, bei großer Herzensgüte, ist dieser Tenor, dabei wendig in allen Lagen. Schlank und klangfarbenreich zieht er stimmliche Triumphbögen in den Raum."
Drehpunkt Kultur
"Mark Milhofer è un eccellente Evangelista, di ottima presenza vocale: è un narratore spigliato senza essere prevaricante, partecipe ma non invadente, capace di un’ampia gamma di colori e di dinamiche. L’ispida frase "Und ging heraus und weinete bitterlich" è davvero un singhiozzo amarissimo e prepara benissimo il seguente "Erbarme dich", e "dass sie ihn kreuzigten" è un grande momento tragico.
Milhofer canta anche le arie del tenore e anche qui il risultato è di alto livello."
Operaclick
"Meanwhile, Mark Milhofer as Amanzio was a theatrical tour de force. His journey from cautious maneuvering to the twisted euphoria of a successful coup, ending in a despondent fall from grace, was utterly magnetic."
Operawire
