Matt Boehler’s most recent and future engagements include OB Becoming Santa Claus Chicago Opera Theater, SPARAFUCILE Rigoletto Florida Grand Opera and QUINCE A Midsummer Night’ Dream Des Moines Metro Opera. Mr. Boehler’s short opera 75 Miles premiered at the Kennedy Center in January 2019, with his chamber opera Fat Pig premiering in 2022 at Victory Hall Opera.
Additional recent engagements include SARASTRO Die Zauberflöte Canadian Opera Company and Utah Opera, OSMIN Die Entfuhrung aus dem Serail and MÉPHISTOPHÉLÈS Faust Michigan Opera Theatre, OSMIN Lyric Opera of Kansa City, Lord of Cries by John Corigliano and Mark Adamo (world premiere) Santa Fe Opera, BERTRAND Iolanta Metropolitan Opera, UNCLE Elizabeth Cree Opera Philadelphia, SPARAFUCILE Rigoletto and BARTOLO Le nozze di Figaro Minnesota Opera, KING Mark Adamo’s Becoming Santa Claus (world premiere) Dallas Opera, ERSTER SCHÄFER Daphne La Monnaie, ROCCO Fidelio and LEPORELLO Don Giovanni Madison Opera, HOTEL MANAGER Powder Her Face New York City Opera, SIR WALTER RALEIGH Roberto Devereux and Don Quichotte (title role cover) Canadian Opera Company, POLICEMAN/BLACK MARKETEER The Nose Metropolitan Opera, Sweeney Todd (title role) Wolf Trap Opera Company, SPARAFUCILE Rigoletto Minnesota Orchestra and multiple roles at Theater St. Gallen: SPARAFUCILE Rigoletto, BALDASSARE La favorita, DALAND Der fliegende Holländer, PRIEST The Cunning Little Vixen, LEPORELLO Don Giovanni, LEONE Attila, COUNT HORN Un ballo in maschera, SARASTRO Die Zauberflöte and IL PEDONE La Wally.
He also performed DREBEDNEY Moscow, Cheryomushki Chicago Opera Theater, NOURABAD Les pêcheurs de perles Hawaii Opera Theater, and two operas by Philip Glass: In the Penal Colony with American Opera Projects and Kepler Spoleto Festival USA.
Mr. Boehler he has been seen in two world premieres of John Musto’s work: The Inspector Wolf Trap Opera and Bastianello, along with William Bolcom’s Lucrezia New York Festival of Song. He premiered Michael Dellaira’s The Secret Agent Center for Contemporary Opera, and he has been seen in Dominick Argento’s Casanova’s Homecoming and Poul Ruders’ The Handmaid’s Tale Minnesota Opera. His discography includes recordings of Bastianello and Lucrezia NYFOS, and a disc of songs by Stefan Wolpe with pianist Ursula Oppens. He can also be heard on recordings of Bernstein’s Mass Baltimore Symphony Orchestra and of Schumann’s Scenes from Goethe’s Faust.
Massimiliano Becco Gagliardo
Mobile: +44 7780 006203
Email: max@atholestill.co.uk
Representation: Europe
News | Matt Boehler
News | Matt Boehler
"A bass with an attitude and the goods to back it up."
The New York Times
"He is, quite simply, a marvel."
The Washington Post
"As the Judge, Matt Boehler’s voice and demeanor were downright frightening, bursting with the demonic force of a man possessed by acute disgust at the Duchess’s dalliances. It is rare to hear a bass with Boehler’s uncanny ability to reach and sustain the very lowest notes with clarity, heft and delicacy."
Classical Source
