Praised for her “crystalline tone” by Opera News, Indian-American soprano MAYA KHERANI has been lauded for her vibrant voice and exciting characterizations in repertoire from the Baroque to the modern. San Francisco Classical Voice recognizes her as “obviously an enormous talent” and the Boston Music Intelligencer applauds her performances as evoking “the sparkling effervescence of a fine champagne.”
This past season’s engagements included POLLY PEACHUM in The Threepenny Opera with West Edge Opera, ROSINA with Cinnabar Theater, and BECK (cover) and the QUARTET SOPRANO in the world première of Laura Kaminsky’s Today It Rains with Opera Parallèle. Upcoming performances feature Ms. Kherani as GILDA in Rigoletto and PAMINA in Die Zauberflöte with Opera Modesto, as well as highly anticipated debuts at the Festival d’Aix-en-Provence and Boston Baroque.
Last season, Ms. Kherani made her role debut in the title role of PARTENOPE with Opera NEO under the baton of Benjamin Bayl. For her performance San Diego Story raved, “From her opening ornate aria, Maya Kherani’s Partenope sailed through Handel’s effusive coloratura with gleaming precision and impassioned conviction. She dominated this production the same way an excellent Violetta commands Verdi’s La Traviata.” She also made “dynamic” role debut as MUSETTA in La Bohème with West Bay Opera, praised for her “shimmering high notes and stunning looks.”
Last year, Ms. Kherani made her European debut as a fellow with the Fondazione Giorgio Cini – Seminari di Musica Antica singing the modern-world première of French Baroque works from Caribbean under the direction of Pedro Memelsdorff and Sophie Daneman. She then returned this past February to sing in a follow-up program, directed by Mr. Memelsdorff and Vivica Genaux.
Recent seasons featured Ms. Kherani’s mainstage company debut as DESPINA in Così fan tutte at Opera San Jose, where she also sang LISETTE in the student matinee performance of La Rondine as well as YVETTE in all other performances. Other roles last season include BRITOMARTE with West Edge Opera in Martín y Soler’s L’arbore di Diana (The Chastity Tree), JILL in the world première of Jack and Jill and the Happening Hill with Salt Marsh Opera, the title role of SEMELE with Pocket Opera, and FRASQUITA in Carmen with West Bay Opera.
In demand for new and challenging works as well as from the Baroque era, Ms. Kherani has been engaged for many world premières in her young career. In 2014, she made her Houston Grand Opera (HGOco) debut in the role of MEERA in the world première of Jack Perla’s River of Light. Other premières include Neil Rolnick’s Anosmia, released by Innova Records in 2013, and Dante de Silva’s “graphic opera” Gesualdo with Opera Parallèle. In 2015, she appeared in the leading role of ALTISIDORE in Boismortier’s Don Quichotte chez la Duchesse at Central City Opera, for which she was praised for her “vocal triumph” in the “cruel demands” of the role; critics noted that her “bright, strong voice and fluid dancing were notable strengths of the production.” A passionate interpreter of early music, Ms. Kherani has been featured with the American Bach Soloists, the San Francisco Bach Choir, the Amherst Early Music Festival, Early Music Vancouver, and The American Handel Society Festival. Ms. Kherani’s numerous awards include the 2015 McGlone Award from Central City Opera, 1st Place and Audience Favourite at the James Toland Vocal Competition (Tier II), 2nd Place at the Peter Elvins Vocal Competition (Opera Division), the Kalvelage Award at West Bay Opera’s Holt Competition, two Encouragement Awards from the Metropolitan Opera National Council Auditions, and the top overall Barlow Award at the San Francisco Bay Area NATS competition, where she also won 1st Place in both the Professional Art Song and Aria categories.
Ms. Kherani graduated summa cum laude from Princeton University with a B.S.E. in Mechanical and Aerospace Engineering and certificates (minors) in Music Performance, Materials Science, and Robotics and Intelligent Systems. At Princeton, she received the Isidore and Helen Sacks Award for excellence in Music Performance, and was a dancer and choreographer for Naacho South Asian Dance Company and a member and soloist in the Princeton University Glee Club. She holds a Master of Music degree with honors from the San Francisco Conservatory of Music and a Professional Certificate from the Boston University Opera Institute.
Margaret Levine
Phone: +44 208 771 5271
Email: margaret@atholestill.co.uk
Representation: Worldwide
News | Maya Kherani
"From her opening ornate aria, Maya Kherani’s Partenope sailed through Handel’s effusive coloratura with gleaming precision and impassioned conviction. She dominated this production the same way an excellent Violetta commands Verdi’s La Traviata."
Ken Herman, San Diego Story, Aug 6 2018
"Best of all may have been soprano Maya Kherani as Susanna. Her bright tones sparkled throughout the opera, and “Deh vieni, non tardar” in Act IV was delightful. Kherani had great chemistry with her Figaro, Isaiah Musik-Ayala. Their sense of timing of the physical humor was spot on and very funny."
Charlise Tiee, San Francisco Classical Voice, Oct 18 2016
"The center of their machinations, and of the opera, is Figaro’s bride-to-be, Susanna, portrayed by soprano Maya Kherani with a mischievous brightness. Her tight vibrato and nimble high notes are increasingly in demand around the Bay Area, and I most recently heard her sing as the soprano soloist in Orff’s Carmina Burana with Chora Nova, where her clear high D (yes, a note above the usual benchmark, a high C) wowed an audience. Not only is her voice astonishingly acrobatic, but her acting was so believable..."
Adam Broner, Repeat Performances, Oct 22 2016
