Paul Curievici’s current and future plans include PIRELLI Sweeney Todd Opéra du Rhin Strasbourg, VITEK The Macropoulos Case Opéra de Lyon and Concertgebouw, KARL ROSSMANN in Haubenstock-Ramati’s Amerika Oper Zürich, ZINOVIY Lady Macbeth von Mzensk Hessisches Staatstheater Wiesbaden, Billy Budd and Le Grand Macabre Enescu Festival and Radio France, HIGH PRIEST OF AMON Akhnaten English National Opera, and FIRST JEW Salome Royal Opera House Covent Garden.

Recent engagements have included THE MARQUIS The Gambler Martina Franca Festival, MORTIMER Lessons in Love and Violence Mahler Chamber Orchestra, Le Grand Macabre and The Snow Queen Concertgebouw, STEVA Jenůfa Norwegian Opera, Luisa Miller Glyndebourne Festival, Saint Francoise d’Assise and PERCY BYSSHE SHELLEY in Michael Wertmüller’s Didodati. Unendlich Theater Basel, Candide (title role) Komische Oper Berlin, TICHON Katja Kabanova, NICK The Handmaid’s Tale, MELOT Tristan und Isolde, PIRELLI Sweeney Todd, and RAUL The Exterminating Angel Royal Danish Opera, FLUTE A Midsummer Night’s Dream and MELOT Opéra de Montpellier, and Les Enfants Terribles The Royal Ballet.

Other past engagements were Barry’s The Importance of Being Earnest, EAMES The Virtues of Things, and SECOND JEW Salome Royal Opera House Covent Garden, ELEMER Arabella, JACK The Rise and Fall of the City of Mahagonny and GUIDOBALD Die Gezeichneten Oper Zürich, JACK Landestheater Salzburg, PEDRILLO Die Entführung aus dem Serail Grange Festival, DON CURZIO/DON BASILIO Le nozze di Figaro Scottish Opera, PAINTER in Olga Neuwirth’s American Lulu The Opera Group at the Young Vic, Bregenzer Festspiele and Edinburgh Festival, and FIRST JEW Salome Northern Ireland Opera, Bournemouth Symphony Orchestra, Orchestre National de Lyon and ENO. He sang in Gerald Barry’s The Importance of Being Earnest Barbican and Lincoln Center with the New York Philharmonic, SAM KAPLAN Street Scene with The Opera Group at Liceu Barcelona and Théâtre du Châtelet, STEPHEN in Huw Watkins’ In the Locked Room Music Theatre Wales and Scottish Opera, and Henze’s song cycle Voices Barbican.

Paul studied at the Guildhall School of Music and Drama.

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