Paul Curievici’s current and future plans include CHEKALINSKY Pique Dame Staatsoper Hamburg, PIRELLI Sweeney Todd Opéra du Rhin Strasbourg, PIRELLI and ORPHÉE Orpée aux enfers Theater Aachen, VITEK The Macropoulos Case Opéra de Lyon and Concertgebouw, KARL ROSSMANN in Haubenstock-Ramati’s Amerika Oper Zürich, ZINOVIY Lady Macbeth von Mzensk Hessisches Staatstheater Wiesbaden, Billy Budd and Le Grand Macabre Enescu Festival and Radio France, HIGH PRIEST OF AMON Akhnaten English National Opera, and FIRST JEW Salome Royal Opera House Covent Garden.
Recent engagements have included THE MARQUIS The Gambler Martina Franca Festival, MORTIMER Lessons in Love and Violence Mahler Chamber Orchestra, Le Grand Macabre and The Snow Queen Concertgebouw, STEVA Jenůfa Norwegian Opera, Luisa Miller Glyndebourne Festival, Saint Francoise d’Assise and PERCY BYSSHE SHELLEY in Michael Wertmüller’s Didodati. Unendlich Theater Basel, Candide (title role) Komische Oper Berlin, TICHON Katja Kabanova, NICK The Handmaid’s Tale, MELOT Tristan und Isolde, PIRELLI Sweeney Todd, and RAUL The Exterminating Angel Royal Danish Opera and FLUTE A Midsummer Night’s Dream and MELOT Opéra de Montpellier.
Other past engagements were Barry’s The Importance of Being Earnest, EAMES The Virtues of Things, and SECOND JEW Salome Royal Opera House Covent Garden, ELEMER Arabella, JACK The Rise and Fall of the City of Mahagonny and GUIDOBALD Die Gezeichneten Oper Zürich, Les Enfants Terribles The Royal Ballet, JACK Landestheater Salzburg, PEDRILLO Die Entführung aus dem Serail Grange Festival, DON CURZIO/DON BASILIO Le nozze di Figaro Scottish Opera, PAINTER in Olga Neuwirth’s American Lulu The Opera Group at the Young Vic, Bregenzer Festspiele and Edinburgh Festival, and FIRST JEW Salome Northern Ireland Opera, Bournemouth Symphony Orchestra, Orchestre National de Lyon and ENO. He sang in Gerald Barry’s The Importance of Being Earnest Barbican and Lincoln Center with the New York Philharmonic, SAM KAPLAN Street Scene with The Opera Group at Liceu Barcelona and Théâtre du Châtelet, STEPHEN in Huw Watkins’ In the Locked Room Music Theatre Wales and Scottish Opera, and Henze’s song cycle Voices Barbican.
Paul studied at the Guildhall School of Music and Drama.
Christopher Broom
Phone: +44 208 768 6604
Mobile: +44 7778794397
Email: chris@atholestill.co.uk
Representation: Worldwide
News | Paul Curievici
News | Paul Curievici
"Paul Curievici's ingratiating Gérard dominated the Barbican stage, seducing us with the warmth of his tenor voice and with the strange hold his character exerted on the action, which Curievici narrated beautifully."
The Times
"Paul Curievici moves effortlessly between speech and singing, watching and engagement; he holds the production’s different layers together."
The Independent
"One should mention a super turn from singer Paul Curievici as the narrator-cum-villain Gérard."
The Daily Telegraph
"British tenor Paul Curievici did his part very well as Melot, Marke's right hand man. Making this role interesting is no easy matter."
Information Dagbladet
"Strahlkräftig und selbstbewusst sang Paul Curievici mit schmetterndem Tenor den Grafen Elemer."
oper aktuell
"The tenor Curievici (as Graf Elemer) was particular noteworthy. Singing with confidence he developed his character skilfully as brash, self-centred and full of bravado. The voice is strong and flexible with an appealing tone."
Operawire
"A seguire, il Marchese di Paul Curievici, tenore di taglio baritonaleggiante con un bellissimo timbro e un’ottima presenza scenica che gli ha permesso di caratterizzare un personaggio ambiguo e cruciale nella costellazione del dramma."
GBOpera.it
"Buono nel complesso tutto il cast su cui si innalza per vocalità e interpretazione il marchese del tenore inglese Paul Curievici, che sfoggia una voce timbrata e sonora con un’interpretazione attoriale magnetica e convincente."
operateatro.it
"Eine gute Figur macht der hell timbrierte Tenor Paul Curievici als Kristas Vater und subalterner Büroangestellter Vitek in der Anwaltskanzlei Kolenatý."
FAZ
"Malgré sa courte intervention, le Vitek de Paul Curievici convainc totalement dans une projection claire et fluide."
opera online
"Tenor Paul Curievici fällt auf als fein timbrierter, engagierter Kanzleiangestellter Vitek."
VAN magazine
"Paul Curievici s’avère le Vitek le plus élégant qu’on ait entendu."
Opéra Magazine
"Es wurde mit großer Spielfreude gesungen uns getanzt, die zahlreichen Rollen waren alle typgerecht besetzt. Besonders hervorheben sollte man Orphée (Paul Curievici). Er spielte lebensnah und sang hervorragend."
Opernmagazin
