Pietro Di Bianco’s upcoming and recent engagements include BISCROMA Viva la Mamma Opéra de Lyon and Grand Théâtre de Genève, Lully’s Armide and Mercadante’s Didone Innsbruck Alte Musik Festival, SELIM Il Turco in Italia Landestheater Salzburg, PISTOLA Falstaff The Grange Festival, DON PROFONDO Il Viaggio a Reims Teatro Coccia of Novara and Theater Lübeck, FIORELLO Il Barbiere di Siviglia and SPINELLOCCIO alongside Placido Domingo in the title role of Gianni Schicchi Opéra National de Paris Bastille, NICHOLAS in Vanessa and DON ANNIBALE in Il campanello at Wexford Festival Opera.

Other recent roles include COLLATINUS the Rape of Lucretia Theatre de l’Athénée in Paris and BEAUPERTUIS Il cappello di Paglia by Nino Rota at the Petruzzelli Theatre Bari. In 2014 he also won first prize at the Paris Opera Awards Competition.

Pietro began his career as LEPORELLO Don Giovanni at Palau de la Musica in Valencia. He then went on to debut as DON ALFONSO Cosi fan tutte at the Auditorium Santa Cecilia in Rome and then as DON ALVARO Il Viaggio a Reims at Rossini Festival in Pesaro. In 2012, he was invited to make his opera debut in France reprising the role of LEPORELLO at the Pierre Cardin Festival in Lacoste, with further performances at the Anthipolis Theater in Antibes. He was an artist-in-residence at the Atelier Lyrique de l’Opéra National de Paris.

Pietro studied piano at the G. Martucci Conservatory in Salerno, with continued studies at the Accademia Nazionale di Santa Cecilia. Vocal studies begin with Giuliana Valente at the Conservatory of Alfredo Casella L’Aquila and continued at the Operastudio Accademia Nazionale di Santa Cecilia as well as further coaching with Alberto Zedda at the Accademia Rossiniana Pesaro. He most recently studied with Raina Kabaivanska at the Accademia Chigiana of Siena and Raphael Sikoski in Paris.

Read more

Media

Management

Massimiliano Becco Gagliardo
Mobile: +44 7780 006203
Email: max@atholestill.co.uk
Representation: Worldwide

D

Charles Rice and Pietro Di Bianco in Viva la Mamma!

News | Charles Rice, Pietro Di Bianco

Reviews