Recent and forthcoming engagements of Spanish soprano Ángeles Blancas Gulin include EMILIA MARTY The Makropulous Affair Welsh National Opera, MOTHER Il Prigioniero with the London Symphony Orchestra and Antonio Pappano, GONERIL Lear for the Maggio Musicale and the Teatro Real Madrid, ANITA in Rihm’s Das Gehege and MOTHER Il Prigioniero for the Staatsoper Stuttgart and La Monnaie as well as Strauss Vier letzte Lieder Orquesta de Badajoz.
Since her debut at a concert with Plácido Domingo, Ángeles Blancas has sung in many Spanish and international theatres such as Royal Opera House Covent Garden, Opernhaus Zürich, Gran Teatre del Liceu, Teatro Real, Washington National Opera, Carnegie Hall, Fenice di Venecia, Teatro San Carlo, Santa Cecilia and Opera di Roma, Teatro Regio, Teatro Comunale di Bologna, Opera de Montecarlo and Teatro Colón de Buenos Aires.
Her repertoire ranges from Mozart, Donizetti, Rossini, Bellini, and Monteverdi to Verdi, Puccini, Mascagni, Cilea and Leóncavallo, now also focusing on Janáček and Strauss with roles such as EMILIA MARTY, KOSTELNICKA Jenufa and SALOME.
She has worked with conductors and directors Antonio Pappano, Philippe Auguin, Juraj Valčuha, Lothar Zagrosek, Nello Santi, Marco Armiliato, Rafael Frübeck de Burgos, Alberto Zedda, Álvaro Albiach, Carlos Aragón, Graham Vick, Robert Carsen, David Poutney, Calixto Bieito and Emilio Sagi.
Massimiliano Becco Gagliardo
Mobile: +44 7780 006203
Email: max@atholestill.co.uk
Representation: Worldwide ex Spain
News | Alexander Sprague, Ángeles Blancas Gulin
News | Ángeles Blancas Gulin, Alexander Sprague
"Ángeles Biancas Gulin’s performance here is beyond praise, superbly controlled, deeply moving. Earlier she plays the beautiful, embittered diva to perfection, cold and unfeeling, visibly in decay from the start, yet vocally as commanding as poor, starstruck Krista describes her"
The arts desk
"(...)this one demands a commanding presence and soprano Ángeles Blancas Gulín was certainly that. Amply embracing the vocal challenge, she brought an almost brute physicality"
The Guardian
"Ángeles Biancas Gulin made a triumphant house debut. She was abetted by a trio of stylish wigs (...) that added to her mystique and helped veil her true self (...) yet the Spanish soprano's rich, dramatic timbre remained constant."
Musical America
