Most recent and future engagements include ARGENE in Vivaldi’s L’Olimpiade Theater an der Wien, Innsbrucker Festwochen der Alten Musik and Théâtre des Champs Elysées, concerts with L’Arpeggiata and Orchestre National de Lyon, with Christina Pluhar and Rolando Villazón at Festival d’Ambronay, Aalto-Musiktheater Essen and in Lyon, ARSILDA (title role) La Cetra Barockorchester, Basel, and FAMA Il trionfo della Fama Innsbrucker Festwochen der Alten Musik.
Past engagements have included BRADAMANTE Alcina Badisches Staatstheater Karlsruhe, SECOND WITCH Dido & Aeneas Opera Royal de Wallonie, Early Music Festival of Utrecht, Caracalla’s Baths Rome, DORI La Grotta di Trofonio Teatro di San Carlo in Napoli and Valle d’Itria Festival, title role Silla Palau de les Arts Valencia, NIRENO and cover CESARE Giulio Cesare Toulon, Stabat Mater Jesi Festival, her debut as OTTAVIA L’incoronazione di Poppea, NAHUAL in the European premiere of Orfeo Chaman Ludwigsburg Schlossfestspiele and in Bogota, title role Catone Baroque Opera Festival Barga, and LA VIRTU La senna Festeggiante Baroque Orchestra of Sevilla.
Other past engagements include Das Lied von der Erde Concertgebouw Orchestra in Rome and Turin, MADDALENA Rigoletto Reggio Emilia Restate, Stabat Mater Le Palais Royale in Paris, a tour of China with the Associazione Abruzzese Amici della Musica Orchestra, NIRENO Giulio Cesare Handel Festival Versailles, Petite Messe Solennelle Festival d’Art Lyrique d’Aix en Provence, CLEARCO Il Bajazet Orchestra of Auser Musici, ZULMA L’Italiana in Algeri Vichy.
Benedetta works regularly with the ensemble L’Arpeggiata, LaVerdi Barocca and Le Jardin des Voix in France, New York, Madrid, Moscow, Amsterdam, Helsinki and Milan.
She was a finalist in the Innsbruck Baroque Singing Competition Pietro A. Cesti and International competition Renata Tebaldi in San Marino and was part of the academy at the Rossini Opera Festival. She participated in the Young Artist Program Domingo Thornton in Los Angeles, and the Young Singer Program in Salzburg where she sang THIRD LADY Die Zauberflöte.
Massimiliano Becco Gagliardo
Mobile: +44 7780 006203
Email: max@atholestill.co.uk
Representation: Worldwide
News | Benedetta Mazzucato
News | Benedetta Mazzucato
"The well-centred mezzo of Benedetta Mazzucato conveyed the sexy, teasing behaviour of the servant Flerida."
Bachtrack
"Benedetta Mazzucato verfügt als Bradamante über einen dunkel timbrierten Mezzo, der unterstreicht, dass man sie auch für ihren Zwillingsbruder Ricciardo halten kann. In ihrer großen Rachearie 'Vorrei vendicarmi' im zweiten Akt begeistert Mazzucato durch bewegliche Koloraturen."
Online Musik Magazin
"Oltre all'eccellente Didone bisogna ricordare le bravissime streghe Alda Caiello, Eleonora de la Pena e Benedetta Mazzucato."
Il giornale della musica
"Impossible, enfin, de passer sous silence l’incarnation suffocante du contralto Benedetta Mazzucato en Amour terrestre."
Classica
""Benedetta Mazzucato (Argene) charme par son timbre chaud et riche. Fiancée délaissée, elle associe à chacune de ses aria le sens dramatique associé, torturée entre son amour et l’abandon de son fiancé. Une douce compassion s’installe avec l’orchestre dans Per salvar quell’alma ingrata à la finesse infinie. Elle fait preuve également d’une belle sensibilité dans Piu non si trovano et tremble de rage dans Per que’ tanti suoi sospiri." "
ODB-Opera
"Voluble, too, Benedetta Mazzucato's contralto with a mysterious timbre: the Alcina she embodies is as mischievous as she is diabolical, as in love as she is furious."
Bachtrack
