Maeve Höglund’s current and future engagements include GRETEL Hänsel und Gretel, PAMINA Die Zauberflöte and ANNE TRULOVE The Rake’s Progress Theater Freiburg, SUSANNA Le Nozze di Figaro Vlaamse Opera Antwerp, Haydn’s Creation Aspen Music Festival, Strauss’ Vier letzte Lieder Oregon Symphony, Vaughn Williams’ Dona Nobis Pacem and Mahler’s Symphony No. 8 Grant Music Festival in Chicago and Moravec’s A Nation of Others Carnegie Hall with Oratorio Society of New York.
Recent work includes her Opera Philadelphia debut as LOLA in the world premiere of David Hertzberg’s award-winning opera The Wake World, SUSANNA Le nozze di Figaro Michigan Opera Theatre and Opera Maine, LEÏLA Les pêcheurs de perles Lyric Opera of Kansas City, Lucia di Lammermoor (title role) and KONSTANZE Die Entführung aus dem Serail Maryland Lyric Opera, GRETEL Hansel and Gretel Oregon Symphony, Messiah Milwaukee Symphony Orchestra and Mahler Symphony No. 4 Portland Symphony Orchestra.
In her recent performance of Le nozze di Figaro, Opera News proclaimed, “Maeve Höglund was a charming, fiesty Susanna, and her stellar soprano brightened the ensembles. Her fine rendition of ‘Deh vieni, non tardar’ was equally impressive for its warmth and feeling”.
Margaret Levine
Phone: +44 7788 564195
Email: margaret@atholestill.co.uk
Representation: Worldwide
"Soprano soloist Maeve Hoglund's fresh voice was beguiling. She sings with effortless sound that has natural nobility about it."
Shepard Express
"Maeve Hoglund's soprano was a pleasure throughout- easily flexible throughout her range, rich of tone and soaring over the ensemble"
Chicago Classical Review
"Maeve Hoglund was a charming, feisty Susanna, and her stellar soprano brightened the ensembles. Her fine rendition of 'Deh vieni, non tardar' was equally impressive for its warmth and feeling."
Opera News
"Maeve Hoglund, as Susanna, Figaro's bride, offered a similarly nuanced performance, both on her own- her account of 'Deh vieni' was a delight- and in her ensemble interactions."
Portland Press Herald
"...her soaring voice was a revelation, filled with drama and force"
Broadway World
"Maeve Höglund plays in the first part a Susanna skilfully on the wire, in a measured and permanent vocal play, which fits perfectly with the concept of staging,"
Opera Online
